GOMAzing
5 February, 2017

img_4877

The always lovely Ildi and I met at GOMA yesterday and spent the next 4 hours marvelling at GOMA’s 10th birthday party.  The installation by an Icelandic(of course) artist who has a name like something complicated from IKEA but fortunately for Anglophones goes by “shoplifter” had to be stroked to be believed, and there was an installation in a dark gallery made simply of lighting and a smoke machine that played with your mind – in a good way.  We agreed that every cent of our tax dollars that it costs is well worth while. Do yourself a favour.

 

 

 

Arrgh! Watch Treasure Island 2012 in honour of TLAPD, ye scurvy rascals
19 September, 2012

Ahoy, shipmates.  The first mate, the cabin boy and I lashed ourselves to the mast last weekend and viewed Treasure Island 2012, a BBC miniseries:

youtube.com/watch?v=096g8N6roMc

I was surprised by how much I enjoyed this version.  Featuring a talented cast who play well together, it’s a fresh modern production with a fabulous soundtrack.

Famous faces abound:  Donald Sutherland looks like he’s enjoying his role as the treacherous Captain Flint; Rupert Penry-Jones – fabulous in “Whitechapel”, another BBC production – is exquisitely nasty, playing the Squire so far towards the top of the upper crust that one wonders if he needed supplemental oxygen between takes;  Eddie Izzard imbues his Long John Silver with more chiaroscuro than usually seen in this character; Toby Regbo is terrific as Jim Hawkins and Shirley Henderson – Moaning Myrtle in the HP films – plays his mum, her fragile frame, pixie face and wispy voice perfect for the role of victimised widow.  Elijah Wood’s cameo as Ben Gunn is fun – with his love of cheese and the Bible, he was the kids’ favourite character.

A few characters have been invented for the series – including John Silver’s wife, played by Nina Sosanya – and some reassigned or re-imagined – the Doctor starts out as a cowardly drunk, but hits his hero straps eventually – in comparison with Robert Louis Stevenson’s original, but none of them seemed out of place or tacked on.

Beautiful art direction keeps you watching through the parts when your attention may stray a little, thinking you know what comes next.  And there’s an intriguing – if gory – keelhauling scene.  Four out of five pieces of eight.